Also, by finishing stages with a perfect score (when the game offers you the challenge), you can unlock standalone versions of the songs to listen to, and extra reading material to add to the humor/charm of the game. In addition, there are other musical distractions including minigames that don’t have any real ending, rhythmic toys, and a guitar mode, which involves playing rock guitar accompaniment parts against the music found in several other stages. Granted, some people may make comments one way or the other regarding the quality of the music from a genre standpoint, but production wise, the tracks are top notch, and many contain little hooks to the melodies that make them almost infectious, especially the likes found in stages like “Pop Star,” “Built to Scale,” “Space Soccer,” and “Karate Man.” The catchiness of the music is reinforced with the charming approach to the graphics, featuring a heavy emphasis on fluid 2D animations with a few moments of 3D animated sequences, all reminiscent of the visual stylings of Wario Ware (minus any nose picking).Īs you play through the game, you’ll unlock a total of 50 main stages, although some of these are simply recycled, more difficult versions of earlier stages. And this is especially important for a music rhythm game that uses no licensed music. Simply put, the music is extremely catchy. So what is the reason for this addiction?įind out in our Rhythm Heaven review after the jump.
Why is this the case? It’s not like the gameplay is deep in any particular way (as almost all actions are done either with tapping, releasing, or flicking the stylus across the touch screen), and it’s not like the stages offer any variations when replayed. Since then, I’ve played through the game enough to get every stage unlocked, and almost all of them completed at a “superb” rating. The game was Rhythm Heaven (known as Rhythm Tengoku Gold in Japan), and at the end of his presentation, everyone who attended the event got a free copy of the DS title that is hitting stores on Monday.
Among the various things that happened during GDC, Satoru Iwata delivered his keynote detailing the development process used at Nintendo when making games, citing an upcoming title as an example of this process.
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